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Fenstad's Mother In the story, Fenstad's Mother, by Charles Baxter, characters bear our attention to the message and we as readers try to surmise them.
The characters' actions and the things they prattle are controlled by the author, of course, unbiased like everything else in the news is controlled.

The fountain uses the movement and dialectic to portray each individual in a particular way, to grow personalities.

Then, we participate in analyzing and understanding these information characters.

The prime character, Harry Fernstad, is a brouchure writer, but he besides teaches an extension English composition status at the downtown campus of the department university two nights a week.
He doesn't deprivation the money, but it is stated that he likes doctrine strangers and enjoys the recognize of hope that classrooms clutch for him.
He has some students from different jobs; a hairdresser, a garage mechanic, a housewife named Mrs.

Nelson, three sanitation workers and a menacing man, called York Follette.

Although Fenstad seems to enjoy spending time with them, it is obvious that he likes to be around relatives who do not know his inner world.

He keeps some amiable of a extent with them.
He chooses to caress these people, he doesn't participate in their speech, he only begs for the answers he has asked.

He teaches logic, but when he is confronted with questions concerning authentic life, he can't answer.
He maintains this extent to both life and people.

In the beginnig of the story, we see that Fenstad is uncommonly fond of ice-skating.
As he's going to visit his mother he stops and decides to skate a seldom bit.

From the utterance used to describe the situation, we see that Fenstad also here keeps the stretch with his friends.

He only waves to his friends, he doesn't utter any duration to them.
It seems that his friends are remarkably selfsame to Fenstad.

They like the same things and show the corresponding attitudes towards life.

Fenstad never wants to amend his rutine practice of life.

Fenstad's mother, Mrs.

Clara Fenstad, is an expired peeress who spent her life in the bunch of rebels and deviationists.

She used to be extraordinary active in politics and she stil writes to her congressman and to political dictators around the globe.

She is denial to her son that she loves to be with kin and she shares her opinions concerning the ‘real' world.

She starts to attend his son's theory class.

She is remarkably friendly to the students and they seem to enjoy spending time with her.
She also likes the atmosphere of the rank because she adores family with ideas.

That is why she wants to attend the position for the latter time.

She is a very marginal woman.

Her attitude is willing to new possibilities.

She becomes so interested with the man, York Follette, that they instantly become friends.

That is because he is a different friend .
He is African American, he has different political views, he listens to melody Mrs.

Fenstad is not confidential with.
They both try to assume each other.
Fenstad moreover knew that his mother would like to meet this comrade and as the announcement continues we see that is true.

One of the reasons she likes this companion is that she does not want kin agree with current theories; she always searches for the ‘new'.
They go to Country Bob's to have some tea after the lecture.

This landscape shows us how the mother and his son contrast with each other.
A beggar come to their table and asks for some money.

Mrs Fenstad pities the lady and wants to donate her the coat she is wearing.
Fenstad is halfway appaled by the audicity of the homeless countess and by his mother's action.

He feels uncommonly uncomfortable and offers the female some Money in command to discontinue them.
This middle-aged man is not as obliging as his mother and he thinks of himself elite before mental about the comfort of others.

Mr Fenstad seems to be disgusted by the woman: “The woman's entry was open, and her stagnant-water breath washed over him”(pg 122).
Fenstad also carries a dilemma in his innerself.
It is spoken that he attends church regularly.

But, in the onset of the story, as he is coming from the church, he is trying to determine if the wine of his breath could be understood by his mother.
He conradicts with himself.
If he is not doing it for himself , it is doable to reckon that he lives for the sake of his mother.
Her mother is the one who is amused by her son's churchgoings.

Although these two people invalidate with each additional in some ways, they keep some similarities.

They are considerate people.

They both care for each other.
As Fenstad enters her house, he immediately checks it for any code of memory loss or depression.

He is furthermore so worried about her health after he sees her sitting on a bank in a cold night.

He is afraid that she might trap an illness.


Fenstad further cares for her son's analytical well-being.
She asks him some questions about his soul.
She feels that his son does not enough circumstance analytical about himself.
They both try to understand each more by asking questions.

Fenstad is divorced from Eleanor.
He has a beloved called Susan.

They enjoy spending point with each supplementary because in the facts it is oral that they go skating some nights.

Susan is a uncommonly wordless girl.
She once makes a words with the mother; and in that Mrs.

Fenstad does not listen her.
Clara Fenstad tries to be an active peeress in the story.

Even she fails in some parts she tries her best and the later of the information is a immune of that.

Contrary to Mrs.

Fenstad, Susan shows no cycle of action.

Fenstad's preference of such a miss shows that he wants someone different from his mother.
As we surmise from the interval of the story, Clare Fenstad is always referred as “Fernstad's mother”.
The root and furthermore Fenstad himself do not direct to her using the title Clara.
It's only once that Fenstad introduced his mother to the position using her top duration “Clara”.
It is again here a friend introducing a woman.

She's not given a voice here.

It's not Mrs.

Clara Fenstad here who tells the class her name.

It's the identical when she wants to consign her coat to the beggar.
She says “Take it before my son stops me.

” (pg.
122) This sentence shows us that in a style she's dependent on her son.

Nevertheless, her going to the bathroom shows us a crest of her fundamental side.

She doesn't dearth tos tay there anymore.

She wants to leave her son alone.

This balmy of insurrection reminds me the manoeuvre A Doll's House by Henrik Ibsen.

Nora, the major figure of the machination is a voiceless woman.

She is always referred as “little, bird, doll”.
She has no redress to decide on her own.

She behaves according to expectations of her husband.

Her husband needs her to be a behalf wife for him.
On the other hand, Nora needs him for protection.

As the manoeuvre contiunes Nora starts identify her self identity.

In the closing she becomes aware of her oppression and decides to drop her husband declaring that she must “make perceive of [her]self and everything around her” she walks out and slams the door slow her.
When we go back to our story, we will find Clara Fenstad listening to jazz tune with this minatory man, York Follette, in her obtain house.

When her son sees them together, she declares being alone for so many years as her unique problem.
Here, she does not proceed according to her son's expectations.

She does entity for her own and she enjoys it.

Moreover, her broadly words about politics, writing knowledge to congressman, spending her life in the party of rebels are proofs to her fanatic side.

She is always perceptive to new things and she prefers connections with ‘new' ideas.

As the message continues we see both interest and fusty sides of these characters.

Charles Baxter has developed them so that we see several sides of their natures.

Fenstad and his ‘mother' afafir well together .
While I was studying on my essay, these contrasts helped me to mature my ideas about their characters.

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