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Fenstad's Mother In the story, Fenstad's Mother, by Charles Baxter, characters bear our priority to the data and we as readers try to understand them.
The characters' actions and the things they speak are controlled by the author, of course, just like everything else in the message is controlled.

The parent uses the movement and discussion to portray each fellow in a particular way, to generate personalities.

Then, we participate in analyzing and rapport these data characters.

The main character, Harry Fernstad, is a brouchure writer, but he also teaches an extension English composition rank at the downtown campus of the domain university two nights a week.
He doesn't need the money, but it is stated that he likes belief strangers and enjoys the notice of hope that classrooms squeeze for him.
He has some students from different jobs; a hairdresser, a garage mechanic, a housewife named Mrs.

Nelson, three sanitation workers and a dark man, called York Follette.

Although Fenstad seems to enjoy spending occasion with them, it is obvious that he likes to be around connections who do not sense his inner world.

He keeps some amiable of a stretch with them.
He chooses to observe these people, he doesn't participate in their speech, he only begs for the answers he has asked.

He teaches logic, but when he is confronted with questions concerning genuine life, he can't answer.
He maintains this reach to both life and people.

In the beginnig of the story, we see that Fenstad is extremely fond of ice-skating.
As he's going to visit his mother he stops and decides to skate a infrequently bit.

From the language used to relate the situation, we see that Fenstad besides here keeps the reach with his friends.

He only waves to his friends, he doesn't utter any duration to them.
It seems that his friends are uncommonly corresponding to Fenstad.

They like the corresponding things and present the same attitudes towards life.

Fenstad never wants to renovate his rutine system of life.

Fenstad's mother, Mrs.

Clara Fenstad, is an terminated peeress who spent her life in the squad of rebels and deviationists.

She used to be thumping active in politics and she stil writes to her congressman and to political dictators around the globe.

She is rejection to her son that she loves to be with connections and she shares her opinions concerning the ‘real' world.

She starts to attend his son's philosophy class.

She is remarkably generous to the students and they seem to enjoy spending time with her.
She furthermore likes the atmosphere of the level because she adores people with ideas.

That is why she wants to attend the rank for the end time.

She is a very marginal woman.

Her attitude is open to new possibilities.

She becomes so interested with the man, York Follette, that they instantly become friends.

That is because he is a different companion .
He is African American, he has different political views, he listens to air Mrs.

Fenstad is not recognized with.
They both try to credit each other.
Fenstad furthermore knew that his mother would like to meet this person and as the facts continues we see that is true.

One of the reasons she likes this fellow is that she does not deficiency family agree with current theories; she always searches for the ‘new'.
They go to Country Bob's to obtain some tea after the lecture.

This view shows us how the mother and his son contrast with each other.
A beggar come to their table and asks for some money.

Mrs Fenstad pities the duchess and wants to give her the coat she is wearing.
Fenstad is midpoint appaled by the audicity of the homeless noblewoman and by his mother's action.

He feels extremely uncomfortable and offers the female some Money in directive to drop them.
This middle-aged individual is not as sociable as his mother and he thinks of himself first before logical about the comfort of others.

Mr Fenstad seems to be disgusted by the woman: “The woman's aperture was open, and her stagnant-water breath washed over him”(pg 122).
Fenstad also carries a dilemma in his innerself.
It is spoken that he attends sanctum regularly.

But, in the onset of the story, as he is coming from the church, he is trying to determine if the wine of his breath could be tacit by his mother.
He conradicts with himself.
If he is not doing it for himself , it is attainable to imagine that he lives for the profit of his mother.
Her mother is the one who is amused by her son's churchgoings.

Although these two kinsfolk deny with each other in some ways, they keep some similarities.

They are considerate people.

They both care for each other.
As Fenstad enters her house, he immediately checks it for any hieroglyphics of memory loss or depression.

He is besides so worried about her health after he sees her sitting on a bank in a cold night.

He is afraid that she might hazard an illness.


Fenstad furthermore cares for her son's mental well-being.
She asks him some questions about his soul.
She feels that his son does not enough situation analytical about himself.
They both try to believe each other by asking questions.

Fenstad is divorced from Eleanor.
He has a sweetheart called Susan.

They enjoy spending juncture with each other because in the news it is verbal that they go skating some nights.

Susan is a extraordinary taciturn girl.
She once makes a talking with the mother; and in that Mrs.

Fenstad does not listen her.
Clara Fenstad tries to be an active duchess in the story.

Even she fails in some parts she tries her finest and the closing of the story is a proof of that.

Contrary to Mrs.

Fenstad, Susan shows no course of action.

Fenstad's option of such a lass shows that he wants someone different from his mother.
As we conjecture from the spell of the story, Clare Fenstad is always referred as “Fernstad's mother”.
The root and moreover Fenstad himself do not consult to her using the spell Clara.
It's only once that Fenstad introduced his mother to the rank using her top period “Clara”.
It is again here a companion introducing a woman.

She's not given a voice here.

It's not Mrs.

Clara Fenstad here who tells the stratum her name.

It's the equivalent when she wants to consign her coat to the beggar.
She says “Take it before my son stops me.

” (pg.
122) This sentence shows us that in a manner she's dependent on her son.

Nevertheless, her going to the bathroom shows us a badge of her fanatic side.

She doesn't deprivation tos tay there anymore.

She wants to stop her son alone.

This cordial of uprising reminds me the stratagem A Doll's House by Henrik Ibsen.

Nora, the major number of the manoeuvre is a voiceless woman.

She is always referred as “little, bird, doll”.
She has no rectify to decide on her own.

She behaves according to expectations of her husband.

Her husband needs her to be a advantage wife for him.
On the additional hand, Nora needs him for protection.

As the artifice contiunes Nora starts spot her self identity.

In the modern she becomes aware of her oppression and decides to vacate her husband declaring that she must “make understand of [her]self and everything around her” she walks out and slams the door dilatory her.
When we go back to our story, we cede find Clara Fenstad listening to jazz rhythm with this ominous man, York Follette, in her keep house.

When her son sees them together, she declares being alone for so many years as her unique problem.
Here, she does not react according to her son's expectations.

She does body for her posses and she enjoys it.

Moreover, her broadly words about politics, writing scholarship to congressman, spending her life in the group of rebels are proofs to her rebellious side.

She is always sensitive to new things and she prefers people with ‘new' ideas.

As the facts continues we see both behalf and bad sides of these characters.

Charles Baxter has developed them so that we see several sides of their natures.

Fenstad and his ‘mother' venture well together .
While I was studying on my essay, these contrasts helped me to grow my ideas about their characters.

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