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Fenstad's Mother In the story, Fenstad's Mother, by Charles Baxter, characters carry our attention to the information and we as readers try to credit them.
The characters' actions and the things they chatter are controlled by the author, of course, unbiased like everything else in the message is controlled.

The fountain uses the motion and argument to portray each man in a particular way, to mature personalities.

Then, we participate in analyzing and rapport these story characters.

The paramount character, Harry Fernstad, is a brouchure writer, but he furthermore teaches an extension English composition rank at the downtown campus of the area university two nights a week.
He doesn't scarcity the money, but it is stated that he likes feeling strangers and enjoys the know of hope that classrooms embrace for him.
He has some students from different jobs; a hairdresser, a garage mechanic, a housewife named Mrs.

Nelson, three sanitation workers and a npromising man, called York Follette.

Although Fenstad seems to enjoy spending circumstance with them, it is obvious that he likes to be around kin who do not recognize his inner world.

He keeps some kindly of a stretch with them.
He chooses to touch these people, he doesn't participate in their speech, he only begs for the answers he has asked.

He teaches logic, but when he is confronted with questions concerning real life, he can't answer.
He maintains this grasp to both life and people.

In the beginnig of the story, we see that Fenstad is extremely fond of ice-skating.
As he's going to visit his mother he stops and decides to skate a little bit.

From the speaking used to chronicle the situation, we see that Fenstad besides here keeps the grasp with his friends.

He only waves to his friends, he doesn't utter any title to them.
It seems that his friends are very alike to Fenstad.

They like the twin things and demonstrate the alike attitudes towards life.

Fenstad never wants to mend his rutine style of life.

Fenstad's mother, Mrs.

Clara Fenstad, is an expired woman who spent her life in the squad of rebels and deviationists.

She used to be uncommonly active in politics and she stil writes to her congressman and to political dictators around the globe.

She is opposite to her son that she loves to be with family and she shares her opinions concerning the ‘real' world.

She starts to attend his son's rationale class.

She is very generous to the students and they seem to enjoy spending time with her.
She furthermore likes the atmosphere of the position because she adores kinsfolk with ideas.

That is why she wants to attend the stratum for the end time.

She is a remarkably marginal woman.

Her temperament is bright to new possibilities.

She becomes so interested with the man, York Follette, that they instantly become friends.

That is because he is a different partner .
He is African American, he has different political views, he listens to tune Mrs.

Fenstad is not familiar with.
They both try to credit each other.
Fenstad besides knew that his mother would like to meet this companion and as the announcement continues we see that is true.

One of the reasons she likes this person is that she does not deprivation kinsfolk agree with latest theories; she always searches for the ‘new'.
They go to Country Bob's to posses some tea after the lecture.

This vista shows us how the mother and his son contrast with each other.
A beggar come to their table and asks for some money.

Mrs Fenstad pities the female and wants to consign her the coat she is wearing.
Fenstad is almost appaled by the audicity of the homeless noblewoman and by his mother's action.

He feels extremely uncomfortable and offers the noblewoman some Money in rule to quit them.
This middle-aged fellow is not as generous as his mother and he thinks of himself boon before reasoning about the comfort of others.

Mr Fenstad seems to be disgusted by the woman: “The woman's ingress was open, and her stagnant-water breath washed over him”(pg 122).
Fenstad furthermore carries a dilemma in his innerself.
It is verbal that he attends sanctum regularly.

But, in the assault of the story, as he is coming from the church, he is trying to determine if the wine of his breath could be understood by his mother.
He conradicts with himself.
If he is not doing it for himself , it is easy to reckon that he lives for the good of his mother.
Her mother is the one who is amused by her son's churchgoings.

Although these two connections refute with each other in some ways, they keep some similarities.

They are considerate people.

They both care for each other.
As Fenstad enters her house, he immediately checks it for any hieroglyphics of memory loss or depression.

He is further so worried about her health after he sees her sitting on a bank in a cold night.

He is afraid that she might snare an illness.


Fenstad furthermore cares for her son's analytical well-being.
She asks him some questions about his soul.
She feels that his son does not enough situation rational about himself.
They both try to accept each other by asking questions.

Fenstad is divorced from Eleanor.
He has a betrothed called Susan.

They enjoy spending juncture with each additional because in the story it is spoken that they go skating some nights.

Susan is a extremely taciturn girl.
She once makes a language with the mother; and in that Mrs.

Fenstad does not listen her.
Clara Fenstad tries to be an active lady in the story.

Even she fails in some parts she tries her best and the hindmost of the information is a unsusceptible of that.

Contrary to Mrs.

Fenstad, Susan shows no rotation of action.

Fenstad's preference of such a girl shows that he wants someone different from his mother.
As we understand from the title of the story, Clare Fenstad is always referred as “Fernstad's mother”.
The originator and further Fenstad himself do not direct to her using the word Clara.
It's only once that Fenstad introduced his mother to the stratum using her best phrase “Clara”.
It is again here a friend introducing a woman.

She's not given a voice here.

It's not Mrs.

Clara Fenstad here who tells the status her name.

It's the corresponding when she wants to allot her coat to the beggar.
She says “Take it before my son stops me.

” (pg.
122) This sentence shows us that in a means she's dependent on her son.

Nevertheless, her going to the bathroom shows us a figure of her basic side.

She doesn't want tos tay there anymore.

She wants to stop her son alone.

This cordial of revolution reminds me the gambit A Doll's House by Henrik Ibsen.

Nora, the major figure of the move is a voiceless woman.

She is always referred as “little, bird, doll”.
She has no redress to decide on her own.

She behaves according to expectations of her husband.

Her husband needs her to be a advantage wife for him.
On the supplementary hand, Nora needs him for protection.

As the artifice contiunes Nora starts recognize her self identity.

In the final she becomes aware of her oppression and decides to cease her husband declaring that she must “make recognize of [her]self and everything around her” she walks out and slams the door delayed her.
When we go back to our story, we consign find Clara Fenstad listening to jazz orchestration with this sinisteru man, York Follette, in her keep house.

When her son sees them together, she declares being alone for so many years as her unique problem.
Here, she does not cope according to her son's expectations.

She does body for her keep and she enjoys it.

Moreover, her broadly language about politics, writing letters to congressman, spending her life in the band of rebels are proofs to her basic side.

She is always flexible to new things and she prefers relatives with ‘new' ideas.

As the report continues we see both gain and blighted sides of these characters.

Charles Baxter has developed them so that we see several sides of their natures.

Fenstad and his ‘mother' work well together .
While I was studying on my essay, these contrasts helped me to prosper my ideas about their characters.

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